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In Seurat's later work he left behind the calm, stately classicism of early pictures like Bathers at Asnières, and pioneered a more dynamic and stylized approach that was influenced by sources such as caricatures and popular posters.He saw himself in the tradition of great Salon painters, and thought of the figures in his major pictures almost as if they were figures in monumental classical reliefs, though the subject matter - the different urban leisure pursuits of the bourgeois and the working class - was fully modern, and typically Impressionist. Although radical in his techniques, Seurat's initial instincts were conservative and classical when it came to style.He called the technique he developed 'chromo-luminism', though it is better known as Divisionism (after the method of separating local color into separate dots), or Pointillism (after the tiny strokes of paint that were crucial to achieve the flickering effects of his surfaces). He also pursued the discovery that contrasting or complementary colors can optically mix to yield far more vivid tones that can be achieved by mixing paint alone. He believed that lines tending in certain directions, and colors of a particular warmth or coolness, could have particular expressive effects. Seurat was fascinated by a range of scientific ideas about color, form and expression.Nevertheless, he borrowed many of his approaches from Impressionism, from his love of modern subject matter and scenes of urban leisure, to his desire to avoid depicting only the 'local', or apparent, color of depicted objects, and instead to try to capture all the colors that interacted to produce their appearance. Seurat was inspired by a desire to abandon Impressionism's preoccupation with the fleeting moment, and instead to render what he regarded as the essential and unchanging in life.
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But his innovations would be highly influential, shaping the work of artists as diverse as Vincent Van Gogh and the Italian Futurists, while pictures like Sunday Afternoon on the Island of La Grand Jatte (1884) have since become widely popular icons.
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His triumph was short-lived, as after barely a decade of mature work he died at the age of only 31. His success quickly propelled him to the forefront of the Parisian avant-garde. Later he grew more interested in Gothic art and popular posters, and the influence of these on his work make it some of the first modern art to make use of such unconventional sources for expression. Initially, he believed that great modern art would show contemporary life in ways similar to classical art, except that it would use technologically informed techniques. His innovations derived from new quasi-scientific theories about color and expression, yet the graceful beauty of his work is explained by the influence of very different sources. Georges Seurat is chiefly remembered as the pioneer of the Neo-Impressionist technique commonly known as Pointillism, or Divisionism, an approach associated with a softly flickering surface of small dots or strokes of color.